Pluto Declaration

Two women in a living room: smoking, playing cards, listening to the radio. As often in Dwoskin’s films, the use of masks, make-up and costumes allows...

Playtime’s cosmopolitan spectacle, presented in a kaleidoscopic montage across seven large screens, interconnects the lives of its archetypical charac...

We live with stories. And it's hard for us to give up on these stories, which provide us our identity, a way of understanding ourselves. Reflections f...

Crashing waves, the cry of a gull, silence.

A Tibetan Lama. His disciple. The disciple's wife, young boy and terrier. An old tugboat crossing the Mississippi River. A man in his seventh month of...

In his essay film, Jerry Tartaglia, longtime archivist and restorer of the film estate of queer New York underground, experimental film, and performan...

Experimental film fragment made with the Edison-Dickson-Heise experimental horizontal-feed kinetograph camera and viewer, using 3/4-inch wide film.

The fire was never threatened. It was assumed. Fed, protected, mourned in advance without ever asking what it was attached to. When the mirror failed...

An overdressed girl tries her luck in dance events that are for Finnish tourists in a small Estonian health resort town, Pärnu.

Some years after filming AMOR, I returned to Italy and found the source for a new film in the architecture of Borromini and in a grove of trees with e...

What lives in the space between the stones, in the space cupped between my hand and my chest? Filmmaker/stonemason. A tower or ruin of remembrance. Wi...

The second entry in Velu Viswanadhan's series of experimental documentaries. This film traces the Ganges river upstream.

A man and a woman move deeper into the dark of the night. Through the impersonal images of Google Earth, their erratic path leads us towards a place w...

In his book "1984", George Orwell saw the television of the future as a control instrument in the hands of Big Brother. Right at the start of the much...